FGN Guitars presents the Mighty Jazz Bass Series JMJ52ALR model, based on the famous "J" bass. It was designed with precision and detail stemming from a long history of bass guitar manufacturing experience. These guitars are relatively simple with a traditional style, yet it sports very useful and practical features for today's musicians.

Finish:  

FEATURES
Newly designed neck heel aiming for subtly larger neck pocket than the old model yet maintaining comfortable high fret access. It results in more low-mid and punch.
JMJ Maple neck with Rosewood fingerboard with a heel adjustable truss rod for superior stability.
Sturdy FGBB bridge offers power and stability transmitting string vibration straight into body. It offers 2-way stringing options.
Precise and smooth vintage-looking GOTOH tuners.
Seymour Duncan Quarter-Pound J and Humbucking pickups offer traditional yet powerful sound variety.
Coil tap switch on push-pull tone pot makes the bridge Humbucker single mode.

SPECIFICATIONS:
Construction:  Bolt-on Neck
Body:  Alder
Neck:  Maple U-Shape
Fingerboard:  Rosewood
Scale:  34" (864mm)
Frets:  22F Medium Jumbo C.F.S.
Tuners:  GOTOH® GB11W
Bridge:  FGN FGBB-405 (String Pitch = 19mm)
Hardware Color:  Chrome & Nickel
Pickup (Neck):  Seymour Duncan® Quarter-Pound™ SJ5-3n
Pickup (Bridge):  Seymour Duncan® 5-String Ceramic SMB-5D
Controls:  2-Volume, 1-Tone w/ Push-Pull Coil Tap (Bridge Pickup)
Body Finish:  Gloss
Strings:  D'Addario EXL165 + XLB130 (.045-.130)
Accessories:  Original Gig Bag
Colors:  Azuki Metallic (AZM)

CIRCLE FRETTING SYSTEM
All FGN guitars come with a unique Circle Fretting System (C.F.S.). It was created by FGN based on an idea to offer better pitch and articulation than conventional guitars and basses. All frets are installed on fingerboard in slightly curved shape, so that every string crosses all the frets in 90 degrees, i.e., to offer a minimum contact of string on a fret, and it makes the scale length of every string even while it actually varies on conventional fretting. The C.F.S. is a solution of fretting on a traditional guitar and bass and it offers clearer articulation and tones which give dimension when you play a cord and also cut through the mix when you play single notes.

COMPOUND RADIUS FINGERBOARD
All FGN guitars have a compound radius fingerboard, which have a smaller (rounder) radius towards the nut while having a larger (flatter) radius towards the neck end, i.e., similar to a shape of a cone. This allows for much easier chord playing at lower frets while having less stress, especially when bending strings at higher registers.