FGN Guitars presents the Odyssey Series JOS2CLG model, based on the time-tested S-style guitar. It was designed with precision and detail stemming from a long history of guitar manufacturing experience. These guitars are relatively simple with a traditional style, yet it sports very useful and practical features for today's musicians.

FEATURES
6-saddle modern T-Style bridge
Rosewood or Maple fingerboard with J-Standard fret edge treatment
Contoured body back
Vintage style GOTOH tuners
Smooth and stable two-pivot FGN tremolo bridge

SPECIFICATIONS:
Construction:  Bolt-on Neck
Body:  Basswood
Neck:  Maple U-Shape
Fingerboard:  Granadillo 10"~14" Compound Radius
Scale:  25.5" (648mm)
Frets:  22F Medium C.F.S.
Tuners:  GOTOH® SD91-05M
Bridge:  FGN FJTR-S2P
Hardware Color:  Chrome & Nickel
Pickup (Neck):  Seymour Duncan® Alnico II Pro APS-1
Pickup (Middle):  Seymour Duncan® Vintage Staggered SSL-1rwrp
Pickup (Bridge):  Seymour Duncan® Pegasus™-TB
Controls:  1-Volume, 1-Tone, Coil Tap Mini Sw., 3-Way Lever Sw.
Strings:  D'Addario EXL110 (.010-.046)
Colors:  Candy Apple Red (CAR) / Old Lake Placid (OLP) / Charcoal (CC)

CIRCLE FRETTING SYSTEM
All FGN guitars come with a unique Circle Fretting System (C.F.S.). It was created by FGN based on an idea to offer better pitch and articulation than conventional guitars and basses. All frets are installed on fingerboard in slightly curved shape, so that every string crosses all the frets in 90 degrees, i.e., to offer a minimum contact of string on a fret, and it makes the scale length of every string even while it actually varies on conventional fretting. The C.F.S. is a solution of fretting on a traditional guitar and bass and it offers clearer articulation and tones which give dimension when you play a cord and also cut through the mix when you play single notes.

COMPOUND RADIUS FINGERBOARD
All FGN guitars have a compound radius fingerboard, which have a smaller (rounder) radius towards the nut while having a larger (flatter) radius towards the neck end, i.e., similar to a shape of a cone. This allows for much easier chord playing at lower frets while having less stress, especially when bending strings at higher registers.