FGN Guitars designed the Iliad Series JIL72ASHDEG 7-string model for the modern guitarist that requires a little "extra" on the bottom. Based on the infamous T-Style guitar, it was designed with precision and detail stemming from a long history of guitar manufacturing experience. 

FEATURES
6-saddle modern T-Style bridge
Rosewood or Maple fingerboard with J-Standard fret edge treatment
Fishman Pickups with "Fluence" Voice Select System
Contoured body back
Vintage style GOTOH tuners
Smooth and stable two-pivot FGN tremolo bridge

SPECIFICATIONS:
Construction:  Bolt-on Neck
Body:  Ash
Neck:  Maple U-Shape
Fingerboard:  Granadillo
Scale:  25.5" (648mm)
Frets:  22F Jumbo C.F.S.
Tuners:  GOTOH® SG381-07 MG-T
Bridge:  FGN FB-705
Hardware Color:  Black
Pickup (Neck):  FISHMAN® Fluence Modern Humbucker Alnico PRF-MH7-AB1
Pickup (Bridge):  FISHMAN® Fluence Modern Humbucker Ceramic PRF-MH7-CB1
Controls:  1-Volume, 1-Tone w/ Push-Pull Sw. (Voice Select), 3-Way Lever Sw.
Body Finish:  Open Pore Matte
Strings:  D'Addario EXL110-7 (.010-.059)
Accessories: Original Gig Bag
Colors:  Open Pore Black (OPB) / Open Pore White (OPW)

CIRCLE FRETTING SYSTEM
All FGN guitars come with a unique Circle Fretting System (C.F.S.). It was created by FGN based on an idea to offer better pitch and articulation than conventional guitars and basses. All frets are installed on fingerboard in slightly curved shape, so that every string crosses all the frets in 90 degrees, i.e., to offer a minimum contact of string on a fret, and it makes the scale length of every string even while it actually varies on conventional fretting. The C.F.S. is a solution of fretting on a traditional guitar and bass and it offers clearer articulation and tones which give dimension when you play a cord and also cut through the mix when you play single notes.

COMPOUND RADIUS FINGERBOARD
All FGN guitars have a compound radius fingerboard, which have a smaller (rounder) radius towards the nut while having a larger (flatter) radius towards the neck end, i.e., similar to a shape of a cone. This allows for much easier chord playing at lower frets while having less stress, especially when bending strings at higher registers.