FGN Guitars presents the Iliad Series JIL2ASHML Left-handed model, based on the infamous T-Style guitar. It was designed with precision and detail stemming from a long history of guitar manufacturing experience. These guitars are relatively simple with a traditional style, yet it sports very useful and practical features for today's musicians.

Finish:  

FEATURES
Maple fingerboard with J-Standard fret edge treatment
Contoured body back
Vintage style GOTOH tuners
Vintage style bridge with brass saddles
Seymour Duncan STR-1 & STL-1 single coil pickups with 4-way switch for more tonal options than the Traditional guitar.

SPECIFICATIONS
Construction:  Bolt-on Neck
Body:  Ash
Neck:  Maple U-Shape
Fingerboard:  Maple
Scale:  25.5" (648mm)
Frets:  22F Medium C.F.S.
Tuners:  GOTOH® SD91-05M/R
Bridge:  FGN TP-T6B/L
Hardware Color:  Chrome & Nickel
Pickup (Neck):  Seymour Duncan® STR1
Pickup (Bridge):  Seymour Duncan® Vintage '54™ Tele STL-1
Controls:  1-Volume, 1-Tone, 4-Way Lever Sw.
Body Finish:  Gloss
Strings:  D'Addario EXL110 (.010-.046)
Color:  Off White Blonde (OWB)

CIRCLE FRETTING SYSTEM
All FGN guitars come with a unique Circle Fretting System (C.F.S.). It was created by FGN based on an idea to offer better pitch and articulation than conventional guitars and basses. All frets are installed on fingerboard in slightly curved shape, so that every string crosses all the frets in 90 degrees, i.e., to offer a minimum contact of string on a fret, and it makes the scale length of every string even while it actually varies on conventional fretting. The C.F.S. is a solution of fretting on a traditional guitar and bass and it offers clearer articulation and tones which give dimension when you play a cord and also cut through the mix when you play single notes.

COMPOUND RADIUS FINGERBOARD
All FGN guitars have a compound radius fingerboard, which have a smaller (rounder) radius towards the nut while having a larger (flatter) radius towards the neck end, i.e., similar to a shape of a cone. This allows for much easier chord playing at lower frets while having less stress, especially when bending strings at higher registers.