FGN Guitars presents the Odyssey Series JOS2TDM model, based on the timeless S-Style guitar. It was designed with precision and detail stemming from a long history of guitar manufacturing experience. These guitars are relatively simple with a traditional style, yet it sports very useful and practical features for today's musicians.

FEATURES

Deep contoured round edge Alder body.
Newly designed FGN XPERT-Hf medium-hot Humbucker and OS-2n/OS-2rw vintage style single coil pickups on white 3-ply pickguard.
J-Standard fret edge treatment.
Vintage style GOTOH tuners.
Smooth and reliable two-pivot FGN tremolo bridge.

SPECIFICATIONS:
Construction: Bolt-on Neck
Body:  Alder
Neck:  Maple U-Shape
Fingerboard:  Maple
Scale:  25.5" (648mm)
Frets:  22F Medium Jumbo C.F.S.
Tuners: GOTOH® SD91-05M
Bridge: FGN FJTR-S2P
Hardware Color: Chrome & Nickel
Pickup (Neck): FGN OS-2rw (Single Coil)
Pickup (Middle): FGN OS-2n (Single Coil)
Pickup (Bridge): FGN XPERT-Hf (Humbucker)
Controls: 1-Volume, 1-Tone, 5-Way Lever Sw., Coil Tap Mini Sw.
Body Finish: Gloss
Strings: D'Addario EXL120 (.010-.046)
Accessories: Original Gig Bag
Colors: Mint Blue (MBU) / Shell Pink (SP)

CIRCLE FRETTING SYSTEM
All FGN guitars come with a unique Circle Fretting System (C.F.S.). It was created by FGN based on an idea to offer better pitch and articulation than conventional guitars and basses. All frets are installed on fingerboard in slightly curved shape, so that every string crosses all the frets in 90 degrees, i.e., to offer a minimum contact of string on a fret, and it makes the scale length of every string even while it actually varies on conventional fretting. The C.F.S. is a solution of fretting on a traditional guitar and bass and it offers clearer articulation and tones which give dimension when you play a cord and also cut through the mix when you play single notes.

COMPOUND RADIUS FINGERBOARD
All FGN guitars have a compound radius fingerboard, which have a smaller (rounder) radius towards the nut while having a larger (flatter) radius towards the neck end, i.e., similar to a shape of a cone. This allows for much easier chord playing at lower frets while having less stress, especially when bending strings at higher registers.