The Odyssey EOS-FM-R is based on the original FGN S-style guitar. It was designed with precision and detail stemming from a long history of guitar manufacturing experience. These guitars are relatively simple with a traditional 'S' Style, yet it sports very useful and practical features for today's musicians.

FEATURES
Maple quarter-sawn 1-pc. neck
Expert fret edge treatment to offer smooth and effortless fingering
GOTOH 510TS-FE1 Bridge
Vintage style Magnum Lock tuners
"Double Tricky" direct bridge humbucker and coil tap switches
Moonsault heel cutaway joint to offer stress-free high fret access

SPECIFICATIONS
Construction:  Bolt-on Neck
Body:  Flamed Maple Top / Ash Back
Neck:  Maple Quarter Sawn U-Shape
Fingerboard:  Rosewood
Scale:  25.5" (648mm)
Frets:  22F Medium C.F.S.
Tuners:  GOTOH® SD91-O5M MG
Bridge:  GOTOH® 51OTS-FE1
Hardware Color:  Gold
Pickup (Neck):  FGN OS-1n
Pickup (Middle):  FGN OS-1c
Pickup (Bridge):  FGN OS-1b
Controls:  1Volume, 1Tone, 5-Way Lever Sw., 2 Mini Tricky Sw.
Body Finish:  Gloss
Strings:  D'Addario EXL110 (.010-.046)
Accessories:  Original Hard Shell Case, Fret Guard
Color:  Ripe Kaki Gradation (RKG) / Navy Blue Gradation (NBG)

FRETTING SYSTEM

All FGN guitars come with a unique Circle Fretting System (C.F.S.). It was created by FGN based on an idea to offer better pitch and articulation than conventional guitars and basses. All frets are installed on fingerboard in slightly curved shape, so that every string crosses all the frets in 90 degrees, i.e., to offer a minimum contact of string on a fret, and it makes the scale length of every string even while it actually varies on conventional fretting. The C.F.S. is a solution of fretting on a traditional guitar and bass and it offers clearer articulation and tones which give dimension when you play a cord and also cut through the mix when you play single notes.

COMPOUND RADIUS FINGERBOARD
All FGN guitars have a compound radius fingerboard, which have a smaller (rounder) radius towards the nut while having a larger (flatter) radius towards the neck end, i.e., similar to a shape of a cone. This allows for much easier chord playing at lower frets while having less stress, especially when bending strings at higher registers.