FGN Guitars presents the Odyssey Series JOS2FMM model, based on the infamous S-Style guitar. It was designed with precision and detail stemming from a long history of guitar manufacturing experience. These guitars are relatively simple with a traditional style, yet it sports very useful and practical features for today's musicians.

Finish:  

FEATURES
J-Standard fret edge treatment
Vintage style GOTOH tuners
Smooth and stable two-pivot FGN tremolo bridge
Seymour Duncan Pegasus bridge humbucker, an APS-1 Alnico II Pro neck pickup, and a vintage Staggered SSL-1 rwrp middle pickups offer total versatility of modern humbucker and vintage single coil sound with 5-way lever switch and a coil tap mini switch.

SPECIFICATIONS
Construction:  Bolt-on Neck
Body:  Flamed Maple on Basswood
Neck:  Maple U-Shape
Fingerboard:  Maple 10"~14" Compound Radius
Scale:  25.5" (648mm)
Frets:  22F Medium C.F.S.
Tuners:  GOTOH® SD91-05M
Bridge:  FGN FJTR-S2P
Hardware Color:  Chrome & Nickel
Pickup (Neck):  Seymour Duncan® Alnico II Pro APS-1
Pickup (Middle):  Seymour Duncan® Vintage Staggered SSL-1 rwrp
Pickup (Bridge):  Seymour Duncan® Pegasus™-TB
Controls:  1-Volume, 1-Tone, 5-Way Lever Sw., Coil Tap Mini Sw.
Strings:  D'Addario EXL110 (.010-.046)
Accessories:  Original Gig Bag
Color:  Fire Burst (FBT)

CIRCLE FRETTING SYSTEM
All FGN guitars come with a unique Circle Fretting System (C.F.S.). It was created by FGN based on an idea to offer better pitch and articulation than conventional guitars and basses. All frets are installed on fingerboard in slightly curved shape, so that every string crosses all the frets in 90 degrees, i.e., to offer a minimum contact of string on a fret, and it makes the scale length of every string even while it actually varies on conventional fretting. The C.F.S. is a solution of fretting on a traditional guitar and bass and it offers clearer articulation and tones which give dimension when you play a cord and also cut through the mix when you play single notes.

COMPOUND RADIUS FINGERBOARD
All FGN guitars have a compound radius fingerboard, which have a smaller (rounder) radius towards the nut while having a larger (flatter) radius towards the neck end, i.e., similar to a shape of a cone. This allows for much easier chord playing at lower frets while having less stress, especially when bending strings at higher registers.